Eastern Bloc: Data Salon II

I'm a little late to the posting party. Things got busy, but it's never too late to share!

Sometime back I went down to the Eastern Bloc to check out Data : Salon II, featuring the works of Alexandre Larose and Félix & Paul.  The evening was an off-site presentation in conjunction with the "Looking through time" event organised by McGill University’s Moving Image Research Laboratory.  

Félix&Paul presented two 3D works and judging by the image above, there is no way I can do it any justice without sticking a pair of 3D glasses on you!  And yes, that is the head of a caribou.  This is a still from the film "Kobe" that was shot in and around Igloolik (yes, that is the arctic!) revolving around a young boy and his daily life.  In case you're expecting the caribou head to come out and jump off the screen as we've come to know commercial 3D films, let me assure you that is not the case.  In fact it is the inverse that takes place, the depth of space is what is most remarkable here, alas, I can only describe it to you!

Above, “Aller/Retour” is Alexandre Larose's film installation/performance of one mega film loop that passes through each of the four 16mm projectors, displaying four images following each other through time and space.  Larose moves back and forth between the projectors, maintaining the tension of the loop and compensating for the not perfectly sync 24fps vintage beasts.

Some seating, placed with a slight curve to reduce the parallel distortion of the projectors.

The projectors, some gobo stands and the giant loop! Projectors also placed on a slight curve to compensate for distortion.

Close-up of the loop at work. Rad!

I like GIFs, Larose at work

Dita Von Teese, NYTimes

Quote day!
I'm catching up on some reading and thought I'd share an excerpt from the New York Times article "Dita Von Teese, From Burlesque to a Brand" by Ruth La Ferla.

"She shared with her husband, a penchant for self-invention. Problems arose in part because, she says, "I liked being Heather Sweet from Michigan, but I don't think he liked being Brian Hugh Warner from Ohio." 

The husband in question is of course Marilyn Manson, to whom Dita was married to for just over a year.  What was great about this quote was the discovery that Dita's real name is a perfectly acceptable burlesque stage name; although limits one to very soft/cute/delicate numbers.  The whole kinky/fetish side to Miss Von Teese would have been ix-nayed had she stayed Sweet.

The couple during happier times: above left pic is from here and the koala is from this tumblr with no credit of origin.

En Mouvement

Is there anything more poetic and super awesome to view than the human body in motion?
Ok, natural vistas are pretty spectacular too, but we'll save that for another time.  For this post it is the feats and force of the body that makes me go "wow" and trust me when I say I get very emotional when the Olympics come around.

I was so, so stoked to have seen Compagnie Marie Chouinard's Henri Michaux: Movements, during the CINARS Biennale.  Chouinard is seen above explaining concept: dancers follow Michaux's illustrated figures from his 1952 book, as if it were transcribed choreography.  It was kinetic, wild and exhilarating.  Watch a clip here.

Bang! Bang!

Cirquantique's Bang! Bang! Cabaret Prohibition featured plenty of saucy and sexy burlesque and circus oriented feats.  Arial work always impresses!  Above (literally!) on the corde lisse is Lili la terreur.

More from Bang! Bang! Melodie Martin Couture on the fixed trapeze

And finally if you wanted to have inspiration for getting buff/ripped/jacked, while yelling your lungs out and having sweaty palms all in one evening, then Tour de Bloc is for you.  We watched with bated breath as the men and women of Canada's bouldering elite conquered plastic at Allez-Up, (who was showing off their new facilities.)  In the foreground: Marine Cusa and in the background Cloé Legault.

Phew...I'm pooped now.

MMM x H&M just landed

It is safe to say that there was much anticipation for the Maison Martin Margiela collaboration for H&M after early views of the collection were released. Last night at the media/industry preview a controlled chaos took hold of the flagship store as shoppers staked their claim.

 Crowd view from above!

Frothy cocktails and a staff member wears a Margiela apron.

After the initial rush of the crowd I got to lean back and enjoy a tasty canapé or two and watch those who scored a large haul exit with arms full of the logoed white on white shopping bags.  As for yours truly, I picked up the silver candy wrapper clutch and hightailed it to the cinema to watch two and a half hours of Daniel Craig wearing Tom Ford suits (nerd out here and here).

Underground art sale & OMEN

In the mid to late nineties I remember reading the Mirror's Best of Montreal polls and seeing Omen's name over and over in the graffiti category.  When we met for the first time in the mid-00's, I remember thinking to myself that I imagined him to be much older in my teenage mind.

The other day I met Omen in the afternoon to do a little art shopping.  The pieces that I was interested in were from the 2008 show So Low back when Gallerie Yves Laroche was down in Old Montreal.  The works were a series of small black and white paintings on Canadian Tire money.  We went down to a basement where the works were being stored.
By the light of Omen's mobile telephone, I picked out two pieces and took them home.
Sweet.

Brick

Movie post!
It's been a while eh?
You may or may not recall sometime ago in this space I had mentioned that a group of friends and I held monthly movie nights to discover hidden (and not so hidden) cinematic gems?  Well we have finally completed a cycle and my time to choose has come up again.
  

Last time around I chose Lindsay Anderson's If... , Malcolm McDowell's first film, winner of the Palme d'Or at Cannes in 1969 and a movie I loved back when I watched it in my Cegep days.  Upon re-watching I kind of felt that the film, dare I say, needed an edit?!  I felt terrible having these thoughts. Didn't I love this movie?  Didn't I get a kickass grade on my term paper about the film?  Has my attention span been reduced to nothing?!
I draw no conclusions here; let's move along.

Movie choice this time around is Brick, the 2005 debut by Rian Johnson (Looper yes!), starring my school girl crush Joseph Gordon-Levitt.  I saw this neo-noir-ish film back when it had a limited release in theatres.  I struggled with the whip smart, fast talking, detective story set in a high school setting, asking myself: who talks like this?!  My movie date whispered to me: "think of it as Shakespeare."  And with that I was able to chill the fuck out and let my suspension of disbelief kick in and enjoy the show.  In a nutshell there's a guy, he's the hero, there's a girl, she's the ex-girlfriend in trouble, there is also a femme fatal/gangster moll, there's some drugs, there's some bad guys with names like the Pin and Tug.  This all takes place in a high school scenario. It is awesome.

There are great little nuggets of info on this film from its wikipedia page, including how the first-time filmmaker began developing the script in 1997, the fundraising of its shy of half a million dollar budget, and the shooting of the film in twenty days.  Geek out on the film trivia!

Of course this film is PACKED with amazing quotes, one of my faves:

THE BRAIN:  What first, tip the bulls?

BRENDAN: No, bulls would gum it. They'd flash their dusty standards at the wide-eyes and probably find some yegg to pin, probably even the right one. But they'd trample the real tracks and scare the real players back into their holes, and if we're doing this I want the whole story. No cops, not for a bit.

                        

THE BRAIN: So what first?

BRENDAN: I don't know. Your mom still have the cell?

THE BRAIN: In her car.

BRENDAN: Borrow it for a few days, get me the number. Wait for my word, and cover for me first period. I'm going to be a little late.

Vans-OTH x Taka Hayashi

Last night Vans-Off the Hook hosted an event to show off longtime Vans Vault collaborator Taka Hayashi's spring '13 offerings and personal artwork. The "Vault" is premium skate line featuring limited edition styles and collaborations that revamp Vans' classic models.

Some of the wares for spring 2013

Tooled leather detailing

Hayashi's ink and watercolor artworks

I would like to take this moment to say: other than the Isabel Marant high top wedge that has spun a million "inspirational" versions, why don't women have really cool kicks?  I do not want the thin soled, pink and silver version of the men's shoe.  Maybe I'm exaggerating just a bit, but sometimes I just want the smaller size of the guy's shoes and no sequins please.